Keyboard and vocal wizard, Rachel Eckroth, came over with her Moog synth to make fun sounds. We organized the blips and added some things which turned into this track. Rachel has toured the world with Chris Botti and is currently touring with and opening for Rufus Wainwright. She is a powerhouse keyboard player and vocalist who was an honor to collaborate with. Check out her latest album, it’s amazing.
One week ago I had the honor of speaking at the MTAC Convention in Anaheim, CA. MTAC is an association of private music teachers throughout California. This convention featured guests speakers from around the world as well as some inspiring student and professional performances.
This was my first time speaking at a state-level event in California and it was an inspiring experience.
On Sunday I led a panel for students, teachers and parents on “Careers in Music”. The panel featured Loren Battley (Michael Bublé & Pomplamoose), Natalie Hernandez (Quincy Jones Production and Interscope Records), Jim Domine (San Fernando Valley Symphony Orchestra), E.L. Lancaster (Alfred Music and Cal State Northridge) and Joanna Ezrin (Producer, Session Musician and Teacher).
Monday I presented an hour presentation on building excitement in your teaching studio. I was so blown away with the turnout, the people interacting from the hallway and by so many folks staying an extra 30 minutes for an extended Q&A. Thank you to those who were in attendance.
In other news, I’ll be starting the blog up again with some fresh posts soon (as soon as jury duty is over).
Also, I’ve been teaching/consulting folks online over the past year. I really like this format for teaching. Everyone is really improving a lot. I have one opening for the summer. If you are interested in working together, let me know and we can discuss options.
On Monday, June 18, I’ll be playing and singing a set of original songs at one of my favorite venues in Los Angeles – The Resident. And for those of you who don’t like the late shows, we’ll be starting at 8:30. By “we” I mean this amazing group of musicians I’m very excited to perform with. Here is who is playing with me on Monday…
Francesca Simone (guitar) – has toured extensively with Beyoncé and Kehlani
Maddie Jay (bass) – has her own amazing project called Maddie Jay & the pH Collective
Bianca Richardson (drums) – Moonchild, Genevieve Artadi and many more
Loren Battley (backing vocals) – Michael Bublé & Pomplamoose
The other bands on the bill are Brent Amaker & the Rodeo and We Are The West. Brent Amaker & the Rodeo are from Seattle and have built a nice following up there. We Are The West is one of the most impressive and musical groups I’ve seen since being in Los Angeles.
Come say ‘hi’ if you come to the show and it would be appreciated if you spread the word among your Los Angeles friends.
One of the most important aspects of performing is communication. Even though the quality of our performance will mostly depend on how prepared we are musically, communication can help make the performance less stressful while allowing us to put most of our energy into the main thing – the music.
Practicing and performing should not be that different from each other when it comes to our musical approach. I believe that standards for energy, emotion, execution and creativity shouldn’t change that much between our practice room repetitions and the stage. If someone were to eavesdrop on a practice sessions, they should feel like they’re hearing us perform. However, they shouldn’t hear us sounding perfect or even good.
As endless and overwhelming as music can get, sometimes it feels really good to just let things fly on a simple blues with good friends. This recording is of a song I wrote called “Dead Man Blues”. Hopefully it will make it onto a record soon. In the meantime, you can check it out here…
This post in the recording series will be on recording MIDI. MIDI recordings give us a lot of power when it comes to creating high-quality recording. If you come from generations where MIDI means stiff, rigid or unmusical recordings; get over those conceptions. Things have changed.
After the post last week about recovering from bad performances, several folks have asked for more information and specifics in regards to the approaches I mentioned. This post will be part of a series on methods we can use to treat each practice session and/or rehearsal as a performance – hopefully making each performance less tense and more rewarding in the process.