For those of you who I was able to cross paths with on the Seattle trip, thank you so much for a great time. It ‘s been a real pleasure to reconnect with so many friends, former students and meet new folks.
Over the past couple of weeks I’ve been working on a song and video concept that I decided to release today. Many of you know my affection for many of today’s cutting-edge electronic artists. I guess you could say it was inspired by that along with jazz orchestration and chords like Gil Evans.
Today Genevieve Artadi released her new single and video called “Nowhere to Go”. It’s just an incredible demonstration of genius writing, production and vision on her part. I mixed and mastered this track and thought I would share it with you. I hope you enjoy.
Anna Freedman has released her new single, “Big Plans”. I’m really excited because the record turned out great and it’s my first release as a producer/mixer/arranger (besides my own music). Many of you may recall the series I did on how to make a record in this blog. I wanted to announce the official release with you here, in this post.
A couple of days ago I stayed up until 6 am mixing and mastering a new song that Genevieve Artadi had just finished recording. I think I started at 10 or 11 p.m. the night before, so a pretty standard amount of time for a mix/master with this type of song. After finishing the mix and revisions (and sleeping a few hours), I processed the whirlwind of activities and thought about it from a teacher/mentor perspective. There were many cool lessons that I learned from the experience, but the thing I kept thinking about is how Genevieve left no room for fear, self-doubt or negativity through the whole process.
Many creatives in music have strong opinions about their musical ideas and what effect they want these ideas to have both within the work itself and on their fans and audiences. The freedom to make these autonomous decisions feels really great if we’re afforded that opportunity. However, it doesn’t always mean the end result will benefit or even be that great.
(With Robin Holcomb in studio. Photo by Carrie Robinson.)
So you have an LP, EP or single that you want to release. The recording is done and you’re really excited to share your music with everyone. If you simply want to get it out and don’t really care whether 1, 100, 1,000 or 1-million people hear it; then go for it. It’s really easy to print a few CD copies of your record and/or have the major streaming services carry your music.
Before rushing the release to the world, it’s best to consider a few things first.
Why are you releasing this record?
What do you want to accomplish with this release?
How large is your fan-base and is it big enough to help spread your music to new fans?
Are you a relatively new or unknown artist hoping that this record will gain you new exposure and fans?
Welcome to part two in the series of posts about making a recording. This post will talk about the roles that people play in a recording and how to define those roles. If you missed part one, you can click here to read it.
A couple of months ago Anna Freedman asked me if I would produce her first record of original music. Anna is a really accomplished musician who plays piano, sings and writes music. We worked together as teacher/student when she was in high school. Now she plays around Seattle and teaches at Creative Music Adventures as well.
I asked Anna if I could share the process of bringing this recording to fruition through a series of posts here to help folks who may be interested in recording their own music (or helping their students make recordings). She was nice enough to agree to this idea. So here is the first part of the series…