The Unassigned Assignments

There’s an assignment that we often miss as teachers. And it’s one that always makes our jobs way easier – maybe easier than anything we could have students do. Over time it simply transforms our students’ musical experiences and their abilities.

Students should be asked to listen to music each time we see them. It can be done in casual conversations about what they’ve been listening to (or what we’ve been listening to), to more precise assignments based on what you’re working on in lessons.

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Strive to be the Worst Look for growth situations even if they're intimidating

Students have often come to me asking if they are “ready” for a musical situation. Whether it be an audition, adjudication, festival, accompanying gig, college program, a certain ensemble, a tour, etc. – my answer is always the same… Participate in as many musical situations as possible where you are the worst one. Be musically overwhelmed as much and as often as possible. We grow the most from these experiences. And if we are taking lessons, earning a degree or just trying to be the best version of ourselves that we can be; growth is the most important thing we can aspire towards.

Miles Quintet

View video of performance below

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Drum Kits are Our Friends Drum Kits Can Make Us Better on Our Instruments

Over time as I’ve gotten the opportunity to hang out and discuss music with people who have had very successful performance and recording careers, there is a common thread that they all emphasize in their own playing and admire in the playing of their peers. This common thread is rhythm. It can either be the commitment to and admiration of deep and individual time-feel, high levels of rhythmic accuracy, advanced rhythmic phrasing or to their ability to make the most basic musical parts feel so good.


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What to Look for in a Private Music Teacher A Guide for Parents Starting their Children in Music Lessons

When children begin music lessons there is always a lot more happening than just starting lessons. Parents bring their experience as former students or inexperience in music to the table. Experienced teachers bring well-formulated habits and routines that may or may not serve the new student. Inexperienced and young teachers may relate exceptionally well to a young student but not have the ability or experience necessary to efficiently move students from one goal to the next.

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The Current State of Affairs The more you can do...

After a lesson with a student who has been working with me for nearly 14 years, I took a moment to assess the state of our room as I walked out, letting him tear down his gear. I was inspired to take a quick picture after realizing that this may not be a typical scene to many folks who teach, practice or took lessons at some point in their lives.

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Injecting Music into Music Lessons

All of us who have played, taught, listened to or experienced music in any way know the power it holds. Many people can trace certain important times of their lives to specific recordings. Several musicians, myself included, can trace the reason we play music back to one or two recordings. Many people who play music have often been pulled out of major ruts in their practice/playing after hearing a recording. There are people who don’t have anything to do with playing music who simply can’t function without it.

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Books Now Available to Non-Members

I want to thank everyone who took part in the launch of the new method last week. It is greatly appreciated and I hope you’re enjoying the books and membership area of the website.

The books are now available to anyone and everyone – click here to order your copies.

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If you still would like to become a member of the membership website, it’s still available at $30 per month here.

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Overview of Teacher Accompaniment Tracks How to Use the Teaching Scores and Accompaniment Tracks with My Method

One of the main concepts my favorite teachers hammered home when I was a student and hopefully I’ve continued the tradition; is an emphasis on playing in time, developing a strong time feel and learning how to make musical decisions on the fly. Hence the large library of accompaniment tracks with this method.

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Beginning Improvisation: Phrasing Video tutorial on phrasing concepts while improvising

Improv Tutorial Phrasing PicPhrasing often gets overlooked when we learn to improvise. This video covers the basics of phrasing on Twinkle, Twinkle and the opening passage of a Mozart Sonata. There are a few splices in the video as the camera kept shutting off – I’m still learning to use the new gear! I hope you enjoy it.

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