Keyboard and vocal wizard, Rachel Eckroth, came over with her Moog synth to make fun sounds. We organized the blips and added some things which turned into this track. Rachel has toured the world with Chris Botti and is currently touring with and opening for Rufus Wainwright. She is a powerhouse keyboard player and vocalist who was an honor to collaborate with. Check out her latest album, it’s amazing.
One of my more recent projects has been creating a suite of electronic music pieces that are meant to be music to sleep or relax to. I’ve been enjoying the process so much because it forces a unique approach to writing and recording.
This song “a bac” is one that I wrote a while back for a project called Spirit Tuck. This version is a reworking of the song. For this recording I recorded a lot of strange sounds from my voice, scissors, a metal-framed chair and some field recordings from outside my window.
Here is the video and song…
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Today Genevieve Artadi released her new single and video called “Nowhere to Go”. It’s just an incredible demonstration of genius writing, production and vision on her part. I mixed and mastered this track and thought I would share it with you. I hope you enjoy.
Anna Freedman has released her new single, “Big Plans”. I’m really excited because the record turned out great and it’s my first release as a producer/mixer/arranger (besides my own music). Many of you may recall the series I did on how to make a record in this blog. I wanted to announce the official release with you here, in this post.
A couple of days ago I stayed up until 6 am mixing and mastering a new song that Genevieve Artadi had just finished recording. I think I started at 10 or 11 p.m. the night before, so a pretty standard amount of time for a mix/master with this type of song. After finishing the mix and revisions (and sleeping a few hours), I processed the whirlwind of activities and thought about it from a teacher/mentor perspective. There were many cool lessons that I learned from the experience, but the thing I kept thinking about is how Genevieve left no room for fear, self-doubt or negativity through the whole process.
Many creatives in music have strong opinions about their musical ideas and what effect they want these ideas to have both within the work itself and on their fans and audiences. The freedom to make these autonomous decisions feels really great if we’re afforded that opportunity. However, it doesn’t always mean the end result will benefit or even be that great.
(With Robin Holcomb in studio. Photo by Carrie Robinson.)
Welcome to part two in the series of posts about making a recording. This post will talk about the roles that people play in a recording and how to define those roles. If you missed part one, you can click here to read it.
A couple of months ago Anna Freedman asked me if I would produce her first record of original music. Anna is a really accomplished musician who plays piano, sings and writes music. We worked together as teacher/student when she was in high school. Now she plays around Seattle and teaches at Creative Music Adventures as well.
I asked Anna if I could share the process of bringing this recording to fruition through a series of posts here to help folks who may be interested in recording their own music (or helping their students make recordings). She was nice enough to agree to this idea. So here is the first part of the series…