The compartmentalization of musicianship can lead to several blocks and disconnects in our practice and performance. We study theory separately from technique, technique separately from repertoire and repertoire separately from improvisation. This can lead to large gaps in artistic development because we tend to pigeonhole ourselves way too soon and too often. We decide that we can improvise but can’t read. We can read but can’t memorize. We can memorize but we can’t do Hanon. We hate theory but love repertoire.
It’s as if the musical dots are discouraged from being connected!